We are so pleased to announce the release of Eloisa Amezcua’s, Symptoms of Teething, now available for order! You can purchase a copy here, or over under the books menu, where you may find a few other titles you’d like to pick up.

Amezcua’s poems received the following praise:

Here is a book of poems that is, at every turn, deeply invested in the kinds of love we share—with each other, with ourselves, with our pasts, and with our futures. In one moment, “we fall asleep / and there is no more falling.” In the next, the morning where “we fabricate each / other into being.” I am so grateful to Eloisa Amezcua for all her fabrications, for building us this little museum of love.
Kaveh Akbar, Calling a Wolf a Wolf

We have three more chapbooks to release this year, with two titles very close to release

If you think you have a manuscript we might love, our annual contest ends May 31st, 2017. You can find all the details you need at our Submittable. We hope to see your book release announcement here next year!

We are excited to announce the release of Michael Cuglietta’s chapbook, Clams in White Wine, now available for order! You can purchase a copy here, or over under the books menu, where you may find a few other titles you’d like to pick up.

Cugiletta’s collection of short fiction received the following praise from Jaimy Gordon, National Book Award winner for Lord of Misrule:

“An air of fly-by-night, strip mall, paycheck to paycheck impermanence laces the crafty short tales of this Florida writer, in which the one thing you can count on is good fast food — Szechuan dumplings, Cuban sandwiches with sweet fried plaintain, cream-piled cupcakes white brown and red. Michael Cuglietta’s characters at least know how to eat well in this anxious world. What to do with the anger, grief and loss lurking just under their place mats is another — no, the very same — story.”

Clams in White Wine is the first of our five 2016 chapbook contest winners to be released, with Eloisa Amezcua’s collection of poems, Symptoms of Teething, to follow soon.

If you think you have a manuscript we might love, we are one month into our annual contest, which ends May 31st, 2017. You can find all the details you need at our Submittable. We hope to see your book release announcement here next year!

2016 and Looking Forward

February 13, 2016

We have just released two of our 2015 Vella Chapbook Winners – Charles Rafferty’s Diminution and Christina Olson’s Weird Science – and have several more late in the proofing stage and very close to the end of production. Which means I’m shocked to realize that it’s already time for all of you to start thinking about what manuscripts you may want to send to our 2016 contests! Both the 2016 Vella Chapbook Contest and the 2016 Debut Series Contest open February 15, and run through May 15th. We cannot wait to see what incredible work we receive this year; the decisions get more difficult each time, and the number of entries keeps growing. We are overjoyed to be a place where so many writers trust us with their work, and are amazed at the rate that we seem to be growing.

Which brings me to another point: Paper Nautilus has gotten so big that we really need to consider how to make our production more manageable. This means making some changes, which always seem to make people a bit nervous. But I think we can make these transitions in a way that everyone can benefit from and be all the happier with.

It’s worth noting that nothing with the chapbook contests will change. Vella winners will get 100 perfect-bound copies + ISBN, Debut Series will get 50 hand-bound copies, and we will NEVER pressure our authors to make additional purchases or reach pre-sale goals. We believe that artists should be able to earn money from their work, but not that they must reduce their art into something that should be profitable. That’s why we give our authors the books and let them decide. And while we’re a bit behind on our production schedule from last year’s amazing winners, the small press end of Paper Nautilus is strong and successful as-is.

The annual issue, however, is more challenging. It requires an enormous amount of time from both my staff and myself, and we think that our production schedule makes it difficult to obtain the best work we can. By accepting submissions all year, we get backlogged quickly, which means lots of wonderful work gets withdrawn before we can even read it – and also makes for some frustration for writers who have to wait so long to hear back. To address this, we’re closing our reading period on June 15, 2016. Moving forward, our reading period will run February 15 – June 15. 

We are also considering potential format changes four our 2017 issue. We love print for a number of reasons, but it can sometimes really limit who can see our authors’ work, which we think is potentially a disservice to them. No decisions have been made on this yet, and we’re surveying other editors and writers to get a full sense of what makes the most sense and keeps as many people happy as possible. More to come on this in the future — and we’d love to hear your thoughts as well!

And we’re still making progress on the Digital Anthology, another thing we’re beyond excited about, but also behind on, which is all the more reason to keep thinking about how we can shift our process to run more effectively. Stay tuned for more on Excavating Honesty‘s release, which we’re hoping will be late spring!

Thanks as always for being a part of this; having so much interest and excellent writing is a great problem for us to have, and it’s because of your support of us.

xoxo
Lisa Mangini


We have selected three manuscripts for publication in the Debut Series, which are the following:

Puzzle Pieces – Bernard Grant
Shuffle – Emily Moore
Macerated – Emily Webber

We have also selected ten finalists, whose work we also very much admired:

Two Dreams of the Afterlife – Kelly Bancroft
Finally the Open Sea – Shebana Coelho
Like Wet Leaves in Floridian Heat – Nicholas Finch
Bowling in the Bumper Lane – Corey Ginsberg
Getting to the Point – Joanne Kerrigan
Animals & Enclosures – Joe Lucido
Girl Life – Leila Ortiz
Maroon – Angela Penaredondo
Hotels & Motels – Jennifer Porter
V – Chris Wiewiora

We received over 100 entries, and the quality of work was overwhelmingly high. Please know that this was a very tough decision, and there were many titles beyond these 13 that I found deft and memorable and moving — and very much deserving of publication. I was astonished that these manuscripts came from writers who have yet to publish a book or chapbook — which is to say, please, please keep sending your work out, even if I was unable to publish it this time. Send it everywhere. Your work belongs out in the world.

The Vella Chapbook submissions are still undergoing review. I am doing my best to work through these 150 manuscripts, but without rushing and still giving them the attention they deserve. I thank you for your patience.

We are still seeking work for our Digital Anthology focused on underrepresented groups and identities that explores both the uncomfortable realities and moments of healing and reconciliation. Works should be creative (poetry, short fiction, memoir/lyric essay/other CNF, or mixed genre), and should also be from a writer who identifies as a member of an underrepresented community. You can send submissions here: https://papernautilus.submittable.com/submit/41571

Additionally, PN15 should be just about full, and we’ll be beginning layout and production on that shortly. Release date is tough to estimate at the moment, since I’ve not yet settled down into my new position, but I’m hoping for late September or October.

Until then, I hope you all enjoy these last days of summer, and I’m looking forward to helping get all these works out into the world.

–Lisa Mangini

The Final Stretch

May 7, 2015

Both the semester and our two chapbook contests are coming to an end shortly. I’ll be picking up my last stack of final essays next week, and I’m looking forward to reading all these wonderful manuscripts as soon as all my grades are submitted.

If you haven’t sent us something yet, and you’d still like to, you have until May 15th! You can find the full guidelines on both the Vella and Debut Series Chapbook Contests in the menu above – or, just go straight to our Submittable.

If you have any questions, please feel free to reach out – we are always happy to help writers feel more comfortable with our guidelines, process, and business model.

Did I mention yet just how excited I am to start reading all of these next week? Because, while it’s always a tough decision which collection(s) we select, I truly look forward to this every year, and am so grateful to be trusted with your work.

Thanks,
Lisa Mangini

It was such a great experience to get to meet so many fellow writers at the AWP bookfair – some former contributors, and I’m sure some future contributors as well – and be able to share our annual issues and publications with so many new people.

Thank you to all who stopped over. I know for next time to have flyers with submission information, instead of just cards with our website and contact info – I appreciate the feedback for future bookfairs! We got a lot of complements on our covers. Quite a few people seemed excited by our unique publishing model for the chapbooks, too, since paying the winners in copies allows the writer to keep the entire face value of any books they sell, rather than just a royalty percentage. We also sold out of both the 2013 and 2014 issues, as well as Jason McCall’s chapbook; We do have more issues of PN13 and PN14 available now that we’re home, but Jason’s book will now go into its second printing – a first for Paper Nautilus, and we are really excited about it.

Which leads me to another positive result from attending AWP: a new digital anthology. This two-part anthology will include literary works that address and examine the uncomfortable realities of race, class, gender, sexuality, faith, and other influential aspects of identity and experience in America, as well as works that move toward healing or reflect moments of reconciliation. This anthology is the result of some great collaboration with Talisha Shelley before and during the AWP conference, and because we believe that it will be a great resource and reading experience for classrooms, writing groups, and people of all backgrounds, this anthology will be available as a free download once released.

When I asked Talisha what she wanted to pursue for this anthology, she offered a handful of different ideas, but we were both most excited abut this one. When I think of examples of individuals who have truly had their views shaped on these issues of misunderstanding others, it has almost always been through the experience of empathy and growing close to one person – either in life, or through a character – that served to bridge that misunderstanding. An entire anthology collecting all of those specific moments from a multitude of different perspectives has tremendous potential for impact. Talisha Shelley and I will be co-editors, and you can send us your poetry, short fiction, and creative nonfiction here: https://papernautilus.submittable.com/submit/41571

And, of course, our two chapbook contests only have about a month left, so polish up those manuscripts and send them over!

Lisa Mangini

New releases and AWP15

March 29, 2015

Our three 2014 Vella Chapbook winners are now officially published and available. You can find copies under our “Books” menu.

Copies of all our chapbooks and annual issues will also be available at AWP. Paper Nautilus will be sharing table 430 at the bookfair, so please come by and say hi, pick up an octopus pin, and maybe enter some fun contests!

We are also sending out our once-a-year newsletter, announcing all this good stuff about the chapbook releases and the Vella and Debut Series Chapbook contests. Because of emailing limits, they are being sent in stages, and the addresses are pulled right from Submittable – so if you’ve submitted under multiple emails, you maybe end up receiving two (or more) messages from us. We are sorry for any unintended obnoxiousness from these mailings, and we truly never want to harass you with anything that remotely feels like spam – a major reason why we only send one newsletter each year!

Additionally, if you are a member of a writing community – a literary journal, a college campus, a local writing group – please help us get the word out by sharing our call for manuscripts with the writers in your life. The more manuscripts of fiction, poetry, mixed/anti/hybrid-genre work we receive, the more collections we can support and help bring out into the world.

In just two days, Paper Nautilus celebrates its fourth anniversary, after being founded on a snowy sick day in my apartment.

Today, we are opening for our fourth round of the Vella Chapbook Contest, named after my grandparents – Nancy and Charles – whose generosity allowed me to found Paper Nautilus and pay for the first issue’s production. The prize for this contest is 100 perfect-bound copies, with ISBN. $11 entry fee.

Today we are also opening for our very first Debut Series Chapbook Contest, which is only open to writers who have yet to publish a chapbook or book-length work in any genre, with just a $5 entry fee. (In order to keep costs lower for writers, we have an additional option for this contest that, for $8, pays the entry fee and comes with a back issue). We have a strong commitment to emerging writers, and this is our new venture to truly showcase how serious we are about getting their voices out into the world. The prize for this contest is 50 hand-stitched copies, without ISBN.

Both contests are open to poetry, short fiction, mixed-genre or hybrid work. You can find both contests at our Submittable page.

Paper Nautilus produces an additional 15-25 copies of each title, for us to sell at conferences and book fairs, or directly on our website; for any sales generated in this way, authors will receive 10% royalties. If a title is popular, and the author wishes for more copies, we will happily pursue additional printing and sell them to you at-cost.

You can find more details about our process, business model, or other aspects of how we operate, by checking the links for each contest in the menu bar above. We welcome any and all questions, as transparency in our approach matters a lot to us.

Thank you and we look forward to reading your work between now and May 15th!

Due to the volume of submissions we receive, we are interested in adding another fiction editor to our staff at Paper Nautilus.

Our wishlist: We are looking for someone who can donate roughly 2-3 hours a week to reading and commenting on our fiction submissions. This responsibility will be completed remotely, and can be located anywhere with a reliable internet connection. Someone responsible and self-directed, and who has familiarity with Submittable from an editor’s end is ideal. We are laid-back and virtually drama-free, so being open to compromise and respectful of the other editors’ tastes is a must. Previous experience preferred, but not necessarily required.

Interested? Please send a paragraph or two about yourself, along with brief responses to the following questions, to: paper.nautilus (at) mail.com

1. Can you give us a list (5-10 examples) of your favorite fiction writers?*
2. Do you have any experience working on literary publications? If so, can you tell us a little about it?
3. Are you familiar with Submittable at all? As a writer, editor, or both?
4. What makes you interested in becoming a Fiction Editor?
5. Pretend for a minute that this opening is for your very favorite literary journal. What other journal would you most like to edit for?*

[* = These are not trick questions designed to rule anyone out, but rather just a way for us to get a better feel for your tastes.]

As with all of our positions (including my own), this is an unpaid, volunteer opportunity. I truly wish I could pay my staff for their time, which I deeply value. This year, I made it a point to send each of my editors a nominal check out of my own, private account, as a gesture of gratitude – but I cannot truthfully guarantee I will always be able to afford to do so.

Thank you, and I look forward to hearing from you!