We are overjoyed to release our final chapbook from our 2016 contest, a Debut Series Co-Winner: Jessica Kim’s “These, Our Bodies.” These poems are at once luminous, hard-wrought, and tender. Jessica is also a talented in visual work, and is the cover’s photographer and graphic designer, making this a truly gorgeous book, inside and out.

You can order a copy here directly, or also look around our Books section, to see if any of our other great titles catch your eye.

You can also see more at our fledgling Instagram, @paper.nautilus (which, for this 30-something millennial, is more intuitive than Twitter), where we share a few more insights to our bookmaking process, day-to-day tasks of being an editor, and shout-outs to former contributors and editors doing great things.

Now that all five of our new titles this year have been published and released, I’ve turned my attention more towards reading the 2017 chapbook entries. While I still have quite a ways to go on the 228 entries we received across categories, I can already tell there are going to be some very difficult decisions. Stay tuned, and hopefully we’ll have some exciting news to share about the results by sometime this September!

We are so pleased to announce the release of John Miller’s Heat Lightning, now available for order! You can purchase a copy here, or over under the books menu, where you may find a few other titles you’d like to pick up.

Miller’s poems received the following praise:

“At the crux of John Miller’s poetry is a search for heat as a way “to know the origin of desire.” This yearning is rooted in the physical world and complicated by empathy for even the most unpleasant places (the site of a bridge demolition) and most unlikable fellow-travelers (late-night partiers singing karaoke). This is the voice of a poet searching for what he knows he won’t find, who “lean[s] into the stinging rain / straining to glimpse / what would teach us to die.” These are beautiful, beautiful poems.”

Lauren Goodwin Slaughter, author of a lesson in smallness, recipient of the 2012 Rona Jaffe Foundation Writers’ Award, Editor-in-Chief at PoemMemoirStory.

* * * *

“John Miller’s debut collection is deft, adroit–downright beautiful. The wise old cormorant Coleridge teaches that poetic genius unleashes via the balance or reconciliation of opposition. Around every corner in these elegantly crafted poems, Miller’s balance beam brain beckons, reconciles, gets shook, stays lit up. Tenacity; desire and hope in equipoise; deific baritone! From haunting to jaunty to moving, what’s clever rams into what’s wise again and again. These days so many poems dance us and demand that we are impressed with their sway. Miller’s debut steps a full fathom farther: these are the generous, subtle musics that linger in your ear.”

Abraham Smith, author of Ashagalomancy; Only Jesus Could Icefish in Summer; Hank; and Whim Man Mammon.

We have just one more chapbook to release this year: another beautiful collection of poems that I can’t want to hand-stitch and have ready to share with all of you. Every once in a while, I share some progress shots of the assembly (and other writing-related moments) on our new-ish instagram.

If you think you have a manuscript we might love, our annual contest ends May 31st, 2017 — that is just ONE WEEK. You can find all the details you need at our Submittable. We hope to see your book release announcement here next year!

We are so pleased to announce the release of Anita Olivia Koester’s, Arrow Songs, now available for order! You can purchase a copy here, or over under the books menu, where you may find a few other titles you’d like to pick up.

Koester’s poems received the following praise:

Arrow Songs is what becomes of Cupid’s arrow once the target has been hit and the flesh is open to receive — it is the body in the rapture and injury of love. There is music throughout — repetition, refrains, alliteration, that assonance that keens, the grief that seems to lullaby, the desire so insistent you listen, you follow, you let the beat shape you. In these heartbreakingly beautiful poems “no one is ever lost, only transformed.
Arisa White

We have two more chapbooks to release this year, one of which is currently part-assembled in my living room, and awaiting its hand-stitched binding.

If you think you have a manuscript we might love, our annual contest ends May 31st, 2017. You can find all the details you need at our Submittable. We hope to see your book release announcement here next year!

One final thought: if you are in Salem, Massachusetts or the surrounding area next week, please consider checking out the Massachusetts Poetry Festival, May 5th – 7th, which will have some wonderful workshops, readings, a small press fair, and a lot of wonderful people. Hope to see some of you there!

We are so pleased to announce the release of Eloisa Amezcua’s, Symptoms of Teething, now available for order! You can purchase a copy here, or over under the books menu, where you may find a few other titles you’d like to pick up.

Amezcua’s poems received the following praise:

Here is a book of poems that is, at every turn, deeply invested in the kinds of love we share—with each other, with ourselves, with our pasts, and with our futures. In one moment, “we fall asleep / and there is no more falling.” In the next, the morning where “we fabricate each / other into being.” I am so grateful to Eloisa Amezcua for all her fabrications, for building us this little museum of love.
Kaveh Akbar, Calling a Wolf a Wolf

We have three more chapbooks to release this year, with two titles very close to release

If you think you have a manuscript we might love, our annual contest ends May 31st, 2017. You can find all the details you need at our Submittable. We hope to see your book release announcement here next year!

We are excited to announce the release of Michael Cuglietta’s chapbook, Clams in White Wine, now available for order! You can purchase a copy here, or over under the books menu, where you may find a few other titles you’d like to pick up.

Cugiletta’s collection of short fiction received the following praise from Jaimy Gordon, National Book Award winner for Lord of Misrule:

“An air of fly-by-night, strip mall, paycheck to paycheck impermanence laces the crafty short tales of this Florida writer, in which the one thing you can count on is good fast food — Szechuan dumplings, Cuban sandwiches with sweet fried plaintain, cream-piled cupcakes white brown and red. Michael Cuglietta’s characters at least know how to eat well in this anxious world. What to do with the anger, grief and loss lurking just under their place mats is another — no, the very same — story.”

Clams in White Wine is the first of our five 2016 chapbook contest winners to be released, with Eloisa Amezcua’s collection of poems, Symptoms of Teething, to follow soon.

If you think you have a manuscript we might love, we are one month into our annual contest, which ends May 31st, 2017. You can find all the details you need at our Submittable. We hope to see your book release announcement here next year!

I have been opening the Vella and Debut Series Chapbook Contests on February 15th for the past several years — which also happens to be my birthday. But this year, I just did have a chance to prepare in time, and that deadline came quietly. So it made me really happy that a few writers contacted Paper Nautilus and asked if we’d be accepting manuscripts this year. It felt like this pattern had become something people looked forward to, and that was a nice reminder of how much I enjoy doing this work.

Submissions opened yesterday, February 17, and will be open until May 31. You can submitt — or find all the details you’ll need on each of the contest categories — here.

Sadly, the annual issues of Paper Nautilus are on a hiatus. That doesn’t mean they’re permanently discontinued, but it does mean that we’re unable to juggle that project right now. My amazing staff who have been reading and voting on the submissions for the annual issues, have largely moved on to other stages of their lives where they can’t contribute as much anymore. It seems like the obvious solution to that is simply find more staff to serve as editors; my life has also shifted in a way where I don’t have as much time to devote to Paper Nautilus. I enjoy the work of the chapbooks so much more, and I also believe it has a more significant impact for the writer than publishing an individual work, which guided this decision. As I’ve noted in previous posts, it may also be time to reassess the publishing landscape, and figure out if a print periodical is the best way to support a writer’s work. So, more on this sometime, when I myself know more.

In the meantime, please tell the writers in your life to send their 16-24 page manuscripts of any and all literary genres our way!

The Final Stretch

May 7, 2015

Both the semester and our two chapbook contests are coming to an end shortly. I’ll be picking up my last stack of final essays next week, and I’m looking forward to reading all these wonderful manuscripts as soon as all my grades are submitted.

If you haven’t sent us something yet, and you’d still like to, you have until May 15th! You can find the full guidelines on both the Vella and Debut Series Chapbook Contests in the menu above – or, just go straight to our Submittable.

If you have any questions, please feel free to reach out – we are always happy to help writers feel more comfortable with our guidelines, process, and business model.

Did I mention yet just how excited I am to start reading all of these next week? Because, while it’s always a tough decision which collection(s) we select, I truly look forward to this every year, and am so grateful to be trusted with your work.

Thanks,
Lisa Mangini

New releases and AWP15

March 29, 2015

Our three 2014 Vella Chapbook winners are now officially published and available. You can find copies under our “Books” menu.

Copies of all our chapbooks and annual issues will also be available at AWP. Paper Nautilus will be sharing table 430 at the bookfair, so please come by and say hi, pick up an octopus pin, and maybe enter some fun contests!

We are also sending out our once-a-year newsletter, announcing all this good stuff about the chapbook releases and the Vella and Debut Series Chapbook contests. Because of emailing limits, they are being sent in stages, and the addresses are pulled right from Submittable – so if you’ve submitted under multiple emails, you maybe end up receiving two (or more) messages from us. We are sorry for any unintended obnoxiousness from these mailings, and we truly never want to harass you with anything that remotely feels like spam – a major reason why we only send one newsletter each year!

Additionally, if you are a member of a writing community – a literary journal, a college campus, a local writing group – please help us get the word out by sharing our call for manuscripts with the writers in your life. The more manuscripts of fiction, poetry, mixed/anti/hybrid-genre work we receive, the more collections we can support and help bring out into the world.

In just two days, Paper Nautilus celebrates its fourth anniversary, after being founded on a snowy sick day in my apartment.

Today, we are opening for our fourth round of the Vella Chapbook Contest, named after my grandparents – Nancy and Charles – whose generosity allowed me to found Paper Nautilus and pay for the first issue’s production. The prize for this contest is 100 perfect-bound copies, with ISBN. $11 entry fee.

Today we are also opening for our very first Debut Series Chapbook Contest, which is only open to writers who have yet to publish a chapbook or book-length work in any genre, with just a $5 entry fee. (In order to keep costs lower for writers, we have an additional option for this contest that, for $8, pays the entry fee and comes with a back issue). We have a strong commitment to emerging writers, and this is our new venture to truly showcase how serious we are about getting their voices out into the world. The prize for this contest is 50 hand-stitched copies, without ISBN.

Both contests are open to poetry, short fiction, mixed-genre or hybrid work. You can find both contests at our Submittable page.

Paper Nautilus produces an additional 15-25 copies of each title, for us to sell at conferences and book fairs, or directly on our website; for any sales generated in this way, authors will receive 10% royalties. If a title is popular, and the author wishes for more copies, we will happily pursue additional printing and sell them to you at-cost.

You can find more details about our process, business model, or other aspects of how we operate, by checking the links for each contest in the menu bar above. We welcome any and all questions, as transparency in our approach matters a lot to us.

Thank you and we look forward to reading your work between now and May 15th!

Due to the volume of submissions we receive, we are interested in adding another fiction editor to our staff at Paper Nautilus.

Our wishlist: We are looking for someone who can donate roughly 2-3 hours a week to reading and commenting on our fiction submissions. This responsibility will be completed remotely, and can be located anywhere with a reliable internet connection. Someone responsible and self-directed, and who has familiarity with Submittable from an editor’s end is ideal. We are laid-back and virtually drama-free, so being open to compromise and respectful of the other editors’ tastes is a must. Previous experience preferred, but not necessarily required.

Interested? Please send a paragraph or two about yourself, along with brief responses to the following questions, to: paper.nautilus (at) mail.com

1. Can you give us a list (5-10 examples) of your favorite fiction writers?*
2. Do you have any experience working on literary publications? If so, can you tell us a little about it?
3. Are you familiar with Submittable at all? As a writer, editor, or both?
4. What makes you interested in becoming a Fiction Editor?
5. Pretend for a minute that this opening is for your very favorite literary journal. What other journal would you most like to edit for?*

[* = These are not trick questions designed to rule anyone out, but rather just a way for us to get a better feel for your tastes.]

As with all of our positions (including my own), this is an unpaid, volunteer opportunity. I truly wish I could pay my staff for their time, which I deeply value. This year, I made it a point to send each of my editors a nominal check out of my own, private account, as a gesture of gratitude – but I cannot truthfully guarantee I will always be able to afford to do so.

Thank you, and I look forward to hearing from you!