We are so pleased to announce the release of John Miller’s Heat Lightning, now available for order! You can purchase a copy here, or over under the books menu, where you may find a few other titles you’d like to pick up.

Miller’s poems received the following praise:

“At the crux of John Miller’s poetry is a search for heat as a way “to know the origin of desire.” This yearning is rooted in the physical world and complicated by empathy for even the most unpleasant places (the site of a bridge demolition) and most unlikable fellow-travelers (late-night partiers singing karaoke). This is the voice of a poet searching for what he knows he won’t find, who “lean[s] into the stinging rain / straining to glimpse / what would teach us to die.” These are beautiful, beautiful poems.”

Lauren Goodwin Slaughter, author of a lesson in smallness, recipient of the 2012 Rona Jaffe Foundation Writers’ Award, Editor-in-Chief at PoemMemoirStory.

* * * *

“John Miller’s debut collection is deft, adroit–downright beautiful. The wise old cormorant Coleridge teaches that poetic genius unleashes via the balance or reconciliation of opposition. Around every corner in these elegantly crafted poems, Miller’s balance beam brain beckons, reconciles, gets shook, stays lit up. Tenacity; desire and hope in equipoise; deific baritone! From haunting to jaunty to moving, what’s clever rams into what’s wise again and again. These days so many poems dance us and demand that we are impressed with their sway. Miller’s debut steps a full fathom farther: these are the generous, subtle musics that linger in your ear.”

Abraham Smith, author of Ashagalomancy; Only Jesus Could Icefish in Summer; Hank; and Whim Man Mammon.

We have just one more chapbook to release this year: another beautiful collection of poems that I can’t want to hand-stitch and have ready to share with all of you. Every once in a while, I share some progress shots of the assembly (and other writing-related moments) on our new-ish instagram.

If you think you have a manuscript we might love, our annual contest ends May 31st, 2017 — that is just ONE WEEK. You can find all the details you need at our Submittable. We hope to see your book release announcement here next year!

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We are so pleased to announce the release of Anita Olivia Koester’s, Arrow Songs, now available for order! You can purchase a copy here, or over under the books menu, where you may find a few other titles you’d like to pick up.

Koester’s poems received the following praise:

Arrow Songs is what becomes of Cupid’s arrow once the target has been hit and the flesh is open to receive — it is the body in the rapture and injury of love. There is music throughout — repetition, refrains, alliteration, that assonance that keens, the grief that seems to lullaby, the desire so insistent you listen, you follow, you let the beat shape you. In these heartbreakingly beautiful poems “no one is ever lost, only transformed.
Arisa White

We have two more chapbooks to release this year, one of which is currently part-assembled in my living room, and awaiting its hand-stitched binding.

If you think you have a manuscript we might love, our annual contest ends May 31st, 2017. You can find all the details you need at our Submittable. We hope to see your book release announcement here next year!

One final thought: if you are in Salem, Massachusetts or the surrounding area next week, please consider checking out the Massachusetts Poetry Festival, May 5th – 7th, which will have some wonderful workshops, readings, a small press fair, and a lot of wonderful people. Hope to see some of you there!

We are so pleased to announce the release of Eloisa Amezcua’s, Symptoms of Teething, now available for order! You can purchase a copy here, or over under the books menu, where you may find a few other titles you’d like to pick up.

Amezcua’s poems received the following praise:

Here is a book of poems that is, at every turn, deeply invested in the kinds of love we share—with each other, with ourselves, with our pasts, and with our futures. In one moment, “we fall asleep / and there is no more falling.” In the next, the morning where “we fabricate each / other into being.” I am so grateful to Eloisa Amezcua for all her fabrications, for building us this little museum of love.
Kaveh Akbar, Calling a Wolf a Wolf

We have three more chapbooks to release this year, with two titles very close to release

If you think you have a manuscript we might love, our annual contest ends May 31st, 2017. You can find all the details you need at our Submittable. We hope to see your book release announcement here next year!

We are excited to announce the release of Michael Cuglietta’s chapbook, Clams in White Wine, now available for order! You can purchase a copy here, or over under the books menu, where you may find a few other titles you’d like to pick up.

Cugiletta’s collection of short fiction received the following praise from Jaimy Gordon, National Book Award winner for Lord of Misrule:

“An air of fly-by-night, strip mall, paycheck to paycheck impermanence laces the crafty short tales of this Florida writer, in which the one thing you can count on is good fast food — Szechuan dumplings, Cuban sandwiches with sweet fried plaintain, cream-piled cupcakes white brown and red. Michael Cuglietta’s characters at least know how to eat well in this anxious world. What to do with the anger, grief and loss lurking just under their place mats is another — no, the very same — story.”

Clams in White Wine is the first of our five 2016 chapbook contest winners to be released, with Eloisa Amezcua’s collection of poems, Symptoms of Teething, to follow soon.

If you think you have a manuscript we might love, we are one month into our annual contest, which ends May 31st, 2017. You can find all the details you need at our Submittable. We hope to see your book release announcement here next year!

I have been opening the Vella and Debut Series Chapbook Contests on February 15th for the past several years — which also happens to be my birthday. But this year, I just did have a chance to prepare in time, and that deadline came quietly. So it made me really happy that a few writers contacted Paper Nautilus and asked if we’d be accepting manuscripts this year. It felt like this pattern had become something people looked forward to, and that was a nice reminder of how much I enjoy doing this work.

Submissions opened yesterday, February 17, and will be open until May 31. You can submitt — or find all the details you’ll need on each of the contest categories — here.

Sadly, the annual issues of Paper Nautilus are on a hiatus. That doesn’t mean they’re permanently discontinued, but it does mean that we’re unable to juggle that project right now. My amazing staff who have been reading and voting on the submissions for the annual issues, have largely moved on to other stages of their lives where they can’t contribute as much anymore. It seems like the obvious solution to that is simply find more staff to serve as editors; my life has also shifted in a way where I don’t have as much time to devote to Paper Nautilus. I enjoy the work of the chapbooks so much more, and I also believe it has a more significant impact for the writer than publishing an individual work, which guided this decision. As I’ve noted in previous posts, it may also be time to reassess the publishing landscape, and figure out if a print periodical is the best way to support a writer’s work. So, more on this sometime, when I myself know more.

In the meantime, please tell the writers in your life to send their 16-24 page manuscripts of any and all literary genres our way!

2016 and Looking Forward

February 13, 2016

We have just released two of our 2015 Vella Chapbook Winners – Charles Rafferty’s Diminution and Christina Olson’s Weird Science – and have several more late in the proofing stage and very close to the end of production. Which means I’m shocked to realize that it’s already time for all of you to start thinking about what manuscripts you may want to send to our 2016 contests! Both the 2016 Vella Chapbook Contest and the 2016 Debut Series Contest open February 15, and run through May 15th. We cannot wait to see what incredible work we receive this year; the decisions get more difficult each time, and the number of entries keeps growing. We are overjoyed to be a place where so many writers trust us with their work, and are amazed at the rate that we seem to be growing.

Which brings me to another point: Paper Nautilus has gotten so big that we really need to consider how to make our production more manageable. This means making some changes, which always seem to make people a bit nervous. But I think we can make these transitions in a way that everyone can benefit from and be all the happier with.

It’s worth noting that nothing with the chapbook contests will change. Vella winners will get 100 perfect-bound copies + ISBN, Debut Series will get 50 hand-bound copies, and we will NEVER pressure our authors to make additional purchases or reach pre-sale goals. We believe that artists should be able to earn money from their work, but not that they must reduce their art into something that should be profitable. That’s why we give our authors the books and let them decide. And while we’re a bit behind on our production schedule from last year’s amazing winners, the small press end of Paper Nautilus is strong and successful as-is.

The annual issue, however, is more challenging. It requires an enormous amount of time from both my staff and myself, and we think that our production schedule makes it difficult to obtain the best work we can. By accepting submissions all year, we get backlogged quickly, which means lots of wonderful work gets withdrawn before we can even read it – and also makes for some frustration for writers who have to wait so long to hear back. To address this, we’re closing our reading period on June 15, 2016. Moving forward, our reading period will run February 15 – June 15. 

We are also considering potential format changes four our 2017 issue. We love print for a number of reasons, but it can sometimes really limit who can see our authors’ work, which we think is potentially a disservice to them. No decisions have been made on this yet, and we’re surveying other editors and writers to get a full sense of what makes the most sense and keeps as many people happy as possible. More to come on this in the future — and we’d love to hear your thoughts as well!

And we’re still making progress on the Digital Anthology, another thing we’re beyond excited about, but also behind on, which is all the more reason to keep thinking about how we can shift our process to run more effectively. Stay tuned for more on Excavating Honesty‘s release, which we’re hoping will be late spring!

Thanks as always for being a part of this; having so much interest and excellent writing is a great problem for us to have, and it’s because of your support of us.

xoxo
Lisa Mangini